If you needed more evidence that you can basically say anything about health — no matter how nonsensical and ridiculous — and win a massive following, consider the recent rise of blogger Vani Hari, also known as the Food Babe.
Stewart fronts The Faces for first gig in almost 40 years
Misty Copeland Is Breathtaking On September Cover Of Essence
She’s got style and grace.
Whether she’s dancing on stage or fronting a major campaign, ballerina Misty Copeland is always completely and utterly captivating. It’s no surprise that the American Ballet Theatre star is wowing us once again by gracing the cover of Essence magazine’s September issue.
Serena Williams Wins 21st Major Title At Wimbledon
Cut And Paste: Editing Genomes To Design Superhumans
A Dose Of Culinary Medicine Sends Med Students To The Kitchen
Behind The Camera: How ‘Vanity Fair’ Got Its ‘Call Me Caitlyn’ Cover
The world‘s most glamorous artistic and commercial spectacle is over. And so is the Gaza Film Festival. The thousands of people, who descended on Cannes this year as they do every May, have left. They are artists and aspiring artists, bankers and entertainers, producers and journalists, fans and critics, from all over the world. But above all they…
Amber Heard as Captain America
Jennifer Lawrence as Thor
Mila Kunis as Bruce Banner
Kate Beckinsale as Iron Man
Shailene Woodley as Hawkeye
Chris Pine as Black Widow
Kristen Stewart as Loki
Why the “Food Babe” enrages scientists
Hari then harnesses the power of her massive audience (known as the Food Babe Army) and online petitions to get food chains and manufacturers to stop using the ingredients she deems harmful, based on her pseudoscientific analyses. It doesn’t matter that what she says usually isn’t backed by research evidence, or that the chemicals she singles out pose no real danger to human health.
Let John Oliver Explain How Petty Municipal Fines Destroy the Lives of Our Most Vulnerable
—By Inae Oh| Mon Mar. 23, 2015
As demonstrated by the Justice Department’s damning investigation into the Ferguson Police Department, police officials often rely on slapping hefty municipal fines to fund government. Such practices are rampant in towns across the country.
On the latest Last Week Tonight, John Oliver took on the issue with an in-depth report explaining how a petty traffic violation—a ticket some people can simply shrug off as a nuisance—can actually wreck the lives of society’s most vulnerable citizens, and sometimes even land people in jail.
“Most Americans drive to work,” he explained. “If you can’t do that, you’ve got a problem. In New Jersey, a survey of low-income drivers who had their license suspended found that 64 percent had lost their jobs as a result, which doesn’t help anyone. You need them to pay their fine but you’re taking away their means of paying it. That’s the most self-defeating idea since gay conversion camp!”
While Oliver says he’s not advocating for minor offenses to go without punishment, people should have the “right to fuck up once in a while without completely destroying our lives.”
A BLAST FROM THE PAST
Check Out This Amazing Collection of Iconic Photos of the 1960s Haight Street Scene
Photographer Jim Marshall delivers the faces, the icons, and the vibe of a unique moment in music history.
Jim Marshall’s name is often accompanied by adjectives such as “indomitable,” “legendary,” “genius,” or “whirlwind.” And not without reason.
Apart from being in the right place at the right time—San Francisco’s music scene in the mid-1960s—Marshall had the right personality to get up close and personal with the bands who would provide the soundtrack to a generation. More importantly, he was simply a great photographer. As such, Marshall created some of the most iconic images in rock and roll history.
You know that famous shot of Johnny Cash flipping off the camera? Marshall. The Allman Brothers cover where they’re all sitting in front of their road cases? Marshall. The Beatles running across the field at Candlestick Park for their last concert? Marshall. Just about any photo of Janis Joplin that comes to mind. Jim Fucking Marshall. Hendrix. The Dead. The Who. The Stones. Zepplin. Little Richard. Chuck Berry. Neil Young. He shot ’em all, and many, many more.
A new book, The Haight: Love, Rock, and Revolution (Insight Editions), thoroughly documents the genesis of the Haight-Ashbury scene. Marshall was there in the earliest days, when the Charlatans, the Great Society, the Warlocks/Grateful Dead, Big Brother & the Holding Company, Quicksilver Messenger Service, the Jefferson Airplane, and other bands were just beginning to spin their wheels, and the SF acid/psych-rock scene was just getting rolling.
The book, which goes on sale on October 14, includes lots of live concerts and behind-the-scenes photos of young rockstars with careers on the rise. There are also portraits, protests, reportage: Marshall shot it all. That’s what makes this book so great: the top-to-bottom, inside-out coverage of the entire scene. He gives us a real taste of what it was like to be in the midst of things.
Starting from the scene’s origins, The Haight continues through the period when LIFEwas doing regular features on the hippies and the bands were starting to get too big for the Panhandle, and concludes in 1968 with the Dead’s final street show: “One last time the band pulled out their gear, trundled down the hill, and played for free in the San Francisco sunshine.”
The musicians Marshall shot would go on to become staples of the American music landscape, and these photos are every bit as culturally important, They are as much a part of that landscape as the music itself.
With mere hours until the release of her new album, Madonna sits behind a closed door in a suite at Interscope Records’ office near Times Square. A stylist darts into the room for a few touch-ups. “She wants to look good for you,” Liz Rosenberg, Madonna’s longtime publicist, tells me. I pass a pair of security guards, then wait to be beckoned into the makeshift chamber. Not much has changed since 1984, when Madonna promised to “rule the world” and subsequently invented modern pop stardom. She is still the one to decide when, where and, most importantly, how we see her.
Monica Bellucci, 50, is the Newest Bond Girl–Is Hollywood Rethinking Age?
Monica Bellucci, 50, is the oldest Bond love interest ever cast opposite Daniel Craig, 46.
STATE OF THE ART | 27 January 2015
In 1878 Van Gogh was a struggling would-be preacher. At his lowest ebb, he began to draw. Alastair Sooke looks back at this pivotal moment in history
5 Things Millennials Can Glean From the President’s State of the Union Address
The British editor of Cosmopolitan,, says she loves talking about (and having) sex. The key to women succeeding in business? Playing golf, apparently.
Some Lands’ End customers are none too happy with the company for sending them a free issue of GQ magazine.
The magazine featured model and actress Emily Ratajkowski almost nude on the cover of its July issue.
‘Prozac Nation’ Turns 20
Twenty years ago Elizabeth Wurtzel’s ‘Prozac Nation’ ushered in a wave of confessional literature. While much-criticized at the time, we should hail her unflinching candor.
The Tenth of December, George Saunders
George Saunders’ collection of short stories appeared on five of the eight “best of” lists reviewed, making it the single most talked-about book of the bunch. In this collection, Saunders ebullient writing style tackles stories about class, sex, love, loss, despair, and war, addressing questions that delve deep into human morality.
Remember the musician’s fierce rings at this year’s Met Gala? They were designed by Lillian Shalom, whom the singer discovered through a friend that followed her Instagram account.
Jane Fonda: Hollywood Royalty Gets AFI Life Achievement Award And Follows In Father Henry’s Footsteps
It didn’t take long to bring up the controversial side of Jane Fonda during AFI‘s Lifetime Achievement Award tributeThursday night. AFI Board Of Trustees Chairman Howard Stringer addressed the elephant in the room almost immediately upon taking the Dolby Theatre stage: “What not a lot of people know is that Jane Fonda attended the very first AFI tribute in 1973 to director John Ford. She didn’t actually make it into the ballroom that night because she was out front picketing. That’s right, she was there to protest the appearance of one of that night’s presenters, Richard Nixon. Jane, what are we going to do with you?” he said to much knowing laughter and applause. A little while later, AFI CEO and President Bob Gazzale picked up on the theme. “Yes, Jane picketed the AFI Life Achievement Awards. But it wasn’t the first time that she’d marched on AFI,” he said. “Some years earlier outside the gates of the AFI conservatory there was a protest led by Jane and another Life Achievement recipient, Shirley MacLaine. They were there to draw attention to the lack of women in roles in the AFI Conservatory and they were right. Their effort led to the establishment of the AFI Directing Workshop for women which this year is celebrating its 40th anniversary. And they also helped to ensure women were admitted to the AFI Conservatory where women have flourished over the years.”
But as it became abundantly clear this evening was much more than about Fonda’s well-known activism. It was about a film career that has brought her two Oscars from seven nominations — that started in 1960 with Tall Story and is still going strong all the way up to next September’s This Is Where I Leave You. Both are from Warner Bros and both show the remarkable career journey this daughter of a very famous star, Henry Fonda, and sister of another twice-nominated actor/writer/producer Peter Fonda, has taken. Among studio heads that included 20th’s Jim Gianopulos, Sony’s Amy Pascal and Michael Lynton and Disney’s Alan Horn, Warners’ Kevin Tsujihara was also there. As Fonda was introduced and took the traditional march through the crowded room of stars, friends , executives and industryites, she seemed genuinely touched and teared up. Shortly afterward I caught up with her and asked if she was actually crying. “Do I look like I was crying? You bet I was.” she told me. It made a later clip they showed from her 1965 Western Cat Ballou even more prescient. “You won’t make me cry. You’ll never make me cry,” Cat Ballou says. It clearly didn’t apply to Fonda on Thursday night as she appeared overwhelmed by it all. And actually a couple of weeks ago in Cannes she told me she burst into tears when she got the phone call saying she received this award. “They asked me to present to Bette Davis and I did. They asked me to present to Barbara Stanwyck (her Walk On The Wild Side co-star), and I did. And of course my father, and I did. But I never dreamed I would be getting this award, ” she told me. Well she did, and in a ceremony that was a rich as any of these has ever been — and I’ve been coming to them since Frank Capra got one in 1982. It was a special night as Fonda became the only daughter of a previous winner to receive the same award. Father and Son Kirk and Michael Douglas and brother and sister Warren Beatty and MacLaine also have made the family connection for AFI in previous years.
The room was decorated with lots of iconic magazine covers featuring Fonda but the most interesting was a Time agazine cover featuring all the Fondas: Henry, Jane and a silhouetted Peter from his Easy Riderdays. “I am not so sure about that cover,” Peter Fonda told me as he stared at the blowup during a break in the proceedings. “I remember that interview very well. They had three different writers interview us se